Cast from a 1973 Volkswagen Beetle and a late 1970s open-top speedboat, this installation transforms everyday objects into tools for fabrication and generators of architectural space. Multiple casts in recycled paper pulp were united into a structural whole, with the negative spaces left by the artifacts forming an occupiable mock tanning booth. The work challenges the contemporary architectural vogue for software-generated form by finding structure and meaning in the suburban landscape instead.
Yevrus 1, Negative Impression
